Dubstep
Comments
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thehenkieman wrote: »Tell me how calling dubstep crap is useful?
driving people away from listening to fake crap and hurting their ears.
posted it ahead..........although it may be an opinion it is still useful, this generation is so effed up it sickens me
http://www.youtube.com/watch?v=hlSbSKNk9f0
here is some real music -
driving people away from listening to fake crap and hurting their ears.
posted it ahead..........although it may be an opinion it is still useful, this generation is so effed up it sickens me
http://www.youtube.com/watch?v=hlSbSKNk9f0
here is some real music
If they like it, why can't they listen to it?
I'm not saying you should stop listening to that old crap either. -
EmperorShu wrote: »Is this Dubstep?
http://www.youtube.com/watch?v=z2n3j_b7d24
Pretty sure it is. -
what is it skrillex does if not dubstep?
Brostep.
Wiki
Brostep and American developments
In 2011, dubstep gained significant traction in the US market by way of a post-dubstep style known as brostep with the American producer Skrillex becoming something of a figurehead for the scene. In September 2011 a Spin Magazine EDM special referred to brostep as a "lurching and aggressive" variant of dubstep that has proven commercially successful in the United States.[97] Unlike traditional dubstep production styles, that emphasize sub-bass content, brostep accentuates the middle register and features "robotic fluctuations and metal-esque aggression". According to Simon Reynolds, as dubstep gained larger audiences and moved from smaller club-based venues to larger outdoor events, sub-sonic content was gradually replaced by distorted bass riffs that function roughly in the same register as the electric guitar in heavy metal.[98]
The term brostep has been used by some as a pejorative descriptor for a style of popular Americanised dubstep.[99] Dubstep purists have leveled criticisms at brostep because of its preoccupation with "hard" and aggressive sounding timbres. In the UK, brostep has been jokingly called "bruvstep" and "mid-range cack". US and Canadian artists often drew inspiration from British producers who tended to work less with sub-bass and more with mid-range sounds such as Caspa and Rusko, and Vexd.[100] Rusko himself has claimed in an interview on the BBC's 1Xtra radio show that "brostep is sort of my fault, but now I've started to hate it in a way...It's like someone screaming in your face for an hour...you don't want that."[101] Commenting on the success of American producers such as Skrillex, Skream has stated: "I think it hurts a lot of people over here because it's a UK sound, but it's been someone with influences outside the original sound that has made it a lot bigger. The bad side of that is that a lot of people will just say 'dubstep equals Skrillex'. But in all honesty it genuinely doesn't bother me. I like the music he makes."[102]
Other North American artists that have come to be associated with the brostep sound are Canadian producers Datsik and Excision. Their production style has been described by Mixmag as "a viciously harsh, yet brilliantly produced sound that appealed more to Marilyn Manson and Nine Inch Nails fans than it did to lovers of UK garage.".[103] -
yeah i'm going to go with fallouts theory
its just noise, call it what you will
Most of Skrillex's music tends to go more towards the "Electronic Side" hence all the weird "Noises" which some love and other hate.
"Older", if you can call them such, artists such as Benga and Skream focus more on that "Wobble" and tend to make it very deep.
Here are examples for y'all to compare:
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http://www.youtube.com/watch?v=vc_YP_H3ZEc" Skream (UK "Classic" Dubstep)
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http://www.youtube.com/watch?v=2cXDgFwE13g" Skrillex (More Electronic)
@Everyone who doesn't like it and thinks its just "noise", simply stop listening. No one is forcing you to move away from liking Metallica, Beatles and all those other amazing bands.
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L_OVER_BO_Y wrote: »thats dubstep. lol
http://www.roflplanet.com/2222
No comment..
Acid Pro is easy to use imo and you can do everything with it
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